447 Followers, 567 Following, 129 Posts - See Instagram photos and videos from (@mel.casas) The art group adopted the name "Con Safo" on December 19, 1971, at which time Casas presented his "Brown Paper Report," which listed 22 definitions for the term Con Safo. .mw-parser-output cite.citation{font-style:inherit}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .id-lock-free a,.mw-parser-output .citation .cs1-lock-free a{background:linear-gradient(transparent,transparent),url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited a,.mw-parser-output .id-lock-registration a,.mw-parser-output .citation .cs1-lock-limited a,.mw-parser-output .citation .cs1-lock-registration a{background:linear-gradient(transparent,transparent),url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription a,.mw-parser-output .citation .cs1-lock-subscription a{background:linear-gradient(transparent,transparent),url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration{color:#555}.mw-parser-output .cs1-subscription span,.mw-parser-output .cs1-registration span{border-bottom:1px dotted;cursor:help}.mw-parser-output .cs1-ws-icon a{background:linear-gradient(transparent,transparent),url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}.mw-parser-output code.cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;font-size:100%}.mw-parser-output .cs1-visible-error{font-size:100%}.mw-parser-output .cs1-maint{display:none;color:#33aa33;margin-left:0.3em}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration,.mw-parser-output .cs1-format{font-size:95%}.mw-parser-output .cs1-kern-left,.mw-parser-output .cs1-kern-wl-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right,.mw-parser-output .cs1-kern-wl-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}ISSN 0005-2604. The paintings and their images are not to be reproduced, copied, or used for any other purposes without explicit permission.. [10], Later, Casas was called into the United States Army[12] and his father insisted it was his duty to serve. Provenance. In this blog post, Curator for Latino Art E. Carmen Ramos reflects on the importance of Casas' art. Casas, Mel. Funding. [12] Casas was awarded a Purple Heart for bravery in the war. ‎Mel Casas: Artist as Cultural Adjuster showcases the work of American Pop Artist Mel Casas. Retrieved 7 April 2015. Mel Casas $ (Born 1929) Mod figure-genre, non objective painting - Texas Melesio Casas * (Born 1929) *See Mel Casas - Texas Olivier Casas $$ (20/21st century) Painting Casas was an artist of national and international renown. She felt welcome here and loved what the group was doing with art. The Smithsonian American Art Museum is proud to own paintings by artist, including Humanscape 62, which was featured in our exhibition Our America: The Latino Presence in American Art. The interviewer for the Archives is Paul Karlstrom, and this is the first tape, tape one, side A. Also at the Archives of American Art is an interview of Mel Casas conducted August 14-16, 1996 by Paul Karlstrom for the Archives of American Art. First of all, because we use liquitex, and we use canvas, and we use stretcher boards. McNay Hosting Gallery Talk on Legacy of Late San Antonio Artist Mel Casas Posted By James Courtney on Tue, Sep 25, 2018 at 12:12 PM. Casas was professor emeritus at San Antonio College, where he taught for 29 years before retiring as chairman of the art department in 1990. Available for sale from Ruiz-Healy Art, Mel Casas, Visual Scent (1999), Acrylic on canvas, 24 × 24 in I think we are lucky to be born outsiders. I have to my benefit that I can combine English and Spanish to give a more colorful expression than I would if I said it all in English or all in Spanish. Cordova’s series focuses exclusively on the artist’s 6-foot-by-8-foot works. For the most part, the show was comprised of Casas’ smaller paintings. Cordova, Ruben C. (2009). "Oral History Interview with Mel Casas, 1996 Aug. 14 and 16". [15] Other notable artists who subsequently joined the group include Rudy Treviño (who later served as president) César Martínez, Amado Peña, Carmen Lomas Garza, Santos Martínez, Kathy Vargas, Roberto Gonzalez, and Rolando Briseño. E. CARMEN RAMOS: This is Mel Casas’ “Humanscape 62,” which is a painting that he executed in 1970. The artist … The paintings and their images are not to be reproduced, copied, or used for any other purposes without explicit permission from the Casas Family Trust. The blurry, nebulous audience members were gradually endowed with more color and form, and from late 1967 through 1970, many Humanscape paintings dealt with the Sexual Revolution. He used visual statements, his sense of humor and love of puns to "address cultural stereotypes." [13] Casas then received a MFA from the University of the Americas in Mexico City in 1958. It will tend to flavor, to color the way we think. We are in between. [2] After graduating high school, Casas worked for Pacific Fruit Express, a railroad company, as an iceman. E. CARMEN RAMOS: This is Mel Casas’ “Humanscape 62,” which is a painting that he executed in 1970. [22] His choice of subject matter, which satirized racism and may show sexualized nudes, was often considered to be "provocative. Mel Casas: Artist as Cultural Adjuster. "Mel Casas: Artist as Cultural Adjuster" is a book that will appeal to many audiences from everyday people to academics. [10] Casas served in the Korean War from 1950-1953, where he was injured and subsequently returned to the United States. 723 South Brazos St. [10] As a young man decided that he wanted to be an artist. We are entirely different. [10] Being the chair of the department, however, was stressful for Casas, since he was often on call. Currently on view at the McNay art museum in San Antonio, in conjunction with the exhibition Pop América, 1965–1975, is a presentation of six large-scale paintings and eight other works by the late San Antonio-based artist Mel Casas (1929-2014). With the history of art as its foundation, Kelker took several steps to correlate Casas’ body of works to America’s social history, popular culture, psychology, gender studies, and issues of social justice. MEL CASAS: Whatever it is. This figure is the centerpiece of Casas’s pop-styled painting Humanscape 62. [11] Earlier "Humanscapes" had limited palette choices, but later paintings had more colors and were rather vibrant. The trio of exhibits trace almost the entire progression of Mel Casas' 150 Humanscape paintings from 1965 to 1989. [9] Casas taught art at Jefferson High School in El Paso, Texas[14] for about three years. Cordova, Ruben C. (2011). The subtlety of the meanings, the syntax, or the pronunciation of the words give it something that is missing.[21]. He was 85. [24], In later years, he ceased exhibiting, but painted almost daily, even when he was battling cancer. Focusing on topics like beauty and politics, the works also demonstrate the artists contribution to the accessibility and relevance of Chicano art. "Mel Casas: Artist as Cultural Adjuster" is a book that will appeal to many audiences from everyday people to academics. [4] He is best known for his series of 150 large-scale paintings called "Humanscapes" that were painted between 1965 and 1989. CreateSpace Independent Publishing Platform. Silva, Elda (11 June 2015). Mel Casas, an influential artist and teacher who helped define the Chicano art movement has died after a two-year battle with cancer. 4: 28–31. Okay, now we're doing it, we're really doing it. Nancy Kelker (1951- ) is an art historian in Murfreesboro, Tennessee. [25], I don't think we should break away from our tradition. He attended the public school system and graduated from Texas Western College with a bachelor's degree in arts in 1956. Mel Casas: Artist as Cultural Adjuster by Nancy L. Kelker Art & Architecture Books Mel Casas: Artist as Cultural Adjuster showcases the assignment of American Pop Artist Mel Casas. Okay, now we're doing it, we're really doing it. Mel Casas: Human presents six large paintings by the late San Antonio–based artist Mel Casas, co-founder of the Chicano art group Con Safo. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. [10], Casas had a two-year battle with cancer. [10] He also helped with his father's Swedish massage business located in downtown El Paso. The date is August 14, 1996. I think linguistically and iconographically we will tend to mix the two. The Guadalupe Cultural Arts Center . [21] "Humanscapes" addresses various issues, such as Chicano politics and identity by using biting humor, pop culture and folk art. ISBN 978-1491265451. The Nancy Kelker research material regarding Mel Casas was donated in 2016 by Nancy Kelker. Through the Con Safo group, members gained exposure by participating in exhibitions for which they were paid a fee by the exhibiting institutions. [19], To me, being an outsider is the next thing to being an artist. (2006), Acrylic on canvas, 30 × 15 in In Casas’ hands Pop Art became a vehicle for cultural, social and political commentary from a Chicano point-of-view. SAN ANTONIO — Mel Casas is probably best known for politically charged paintings such as “Humanscape 62 (Brownies of the Southwest),” one … Photo courtesy Mel Casas Family Trust Artists Respond at The Smithsonian. Melesio "Mel" Casas (November 24, 1929 – November 30, 2014) was a Chicano artist, activist, writer and teacher. 'No usamos bastidores o manta.' As a public health precaution due to COVID-19, all Smithsonian museums are closed temporarily. [10] In college, he had a very strong background in classical art theory, drawing and painting. In this regard the Chicano Movement did not generate Casas’ artistic practice. Related Materials. I so divide the picture plane of my painting so as to force the spectator into the role of 'voyeur,' thus acquiring an identity through participation. [10] After the mid 1960s he began to do more representational work. Mel Casas (Born 1929) is active/lives in Texas. The works, some of which are from his Humanscapes series, address themes of identity, politics, and the landscape of his native Texas, … Kathy Vargas began classes with Mel Casas, a Chicano artist, who asked her to attend a Con Safo art group meeting after seeing some of her photographs. NOTICE: All paintings represented on this site are the original work of Mel Casas. [8] He is considered to be one of the important founders of the Chicano Arts movement. [10] He retired in 1990. Born in El Paso, Texas, Casas received his BA from the Texas Western University and an MFA from the University of the Americas in Mexico. In this blog post, Curator for Latino Art E. Carmen Ramos reflects on the importance of Casas' art. [10] He attended El Paso High School which he chose in order to get a better education. painting series whereby over the span of 150 paintings the Chicano experience slowly moves from the periphery to the center. “Because I am of Mexican descent and I readily admit it. [5][6] Casas was also well known as a writer and theorist. Though Casas is best known for a handful of works that treat Chicano themes, he created an unusually wide array of works with varied themes and styles. Mel Casas: Artist as Cultural Adjuster showcases the work of American Pop Artist Mel Casas. What signs of the Southwest has the artist included? In this series, Casas focuses on imagery from popular culture and how these media images can and do affect viewers[17] who Casas called voyeurs, instead. "[15] In its abbreviated form, C/S, it is used to protect murals from defacement. mel casas contemporary hispanic chicano modern artist NOTICE: All paintings represented on this site are the original work of Mel Casas. "Art on the Border." In regards to the future of Chicano art, Casas is quoted in the landmark exhibition, Essays by Rita Gonzalez, Howard N. Fox & Chon A. Noriega, Rita Gonzalez, Howard N. Fox & Chon A. Noriega, 2008, Chicano Art: Resistance and Affirmation, 1965-1985, Richard Criswold Del Castillo, Teresa McKenna & Yvonne Yarbro-Bejarano, editors, 1991, Essay by E. Carmen Ramos, and introduction by Tomás Ybarra-Frausto. Bochner’s popular thesaurus painting series consists of lists of synonyms displayed in rainbow-colored palettes, often featuring a single word repeated in painterly capital letters, as seen in his seminal piece Blah, Blah, Blah (2008). His piece, “Brownies of the Southwest” is one of the few by an American pop artist. [21], Chicano Art is not Art for Art's Sake, but Art for Human Sake. "The Cinematic Genesis of the Mel Casas Humanscape, 1965-1967". [21] As Casas' paintings became more colorful, they also began to have a richer sense of satire and visual play. [15] In December 1971 the Con Safo group consisted of Felipe Reyes, Jose Esquivel, Jesse Almazán, Roberto Ríos, and Jose Garza (all of whom were members of El Grupo), and Mel Casas and Jesse Treviño. He was designated "Artist of the Year" by the San Antonio Art League for 1968, only to have this honor revoked three days later. The series began in 1965 with. Casas seems to project the future/present of the tradition that Enrique Martinez envisions in At the Altar (2006). Casas was also well known as a write… CAMH’S Online Publication Archive. The trio of exhibits trace almost the entire progression of Mel Casas' 150 Humanscape paintings from 1965 to 1989. The date is August 14, 1996. 2 of 10 This Mel Casas painting is part of his “Humanscapes” series. SAN ANTONIO — Mel Casas is probably best known for politically charged paintings such as “Humanscape 62 (Brownies of the Southwest),” one … "[10], Casas was born in El Paso, Texas[1] to Mexican parents during the Great Depression. [21] The "Humanscapes" were generally painted on large-scale canvases, mimicking the drive-in movies that inspired them. Available for sale from Ruiz-Healy Art, Mel Casas, Humanscape 135: #2 Mexican Plate (1984), Acrylic on canvas, 72 × 96 in [12] Casas felt that he had the opportunity to teach a "very good cross-section of the city" which was something he enjoyed. "Mel Casas: Artist as Cultural Adjuster" is a book that will appeal to many audiences from everyday people to academics. The interviewer for the Archives is Paul Karlstrom, and this is the first tape, tape one, side A. Casas is best known for pointed visual statements that question cultural stereotypes and portrayals of Mexican Americans in the media. Casas is best known for pointed visual statements that question cultural stereotypes and portrayals of Mexican Americans in the media. The interviewer for the Archives is Paul Karlstrom, and this is the first tape, tape one, side A. He used visual statements, his sense of humor and love of puns to "address cultural stereotypes. I think people are generally aware of what MeL is, but haven't found a way to incorporate it into their daily life. "[23] Casas felt that media, like television, movies and advertising had the power to change people and could be used to change them for the better. Ruiz-Healy Art features Mel Casas' small, intimate works and larger scale paintings to provide a well-rounded view of his oeuvre. Mel Casas is active/lives in Texas. Mel Casas has given this painting a subtitle, located at the bottom of the canvas. GETTING the BIG PICTURE: Political Themes in the Art of MEL CASAS, 1968-1977. We have perfect paintings for the living room, bedroom, kitchen or even the office. 31 likes. In Casas’ hands Pop Art became a vehicle for cultural, social and political commentary from a Chicano point-of-view. Con Safo is a Pachuco slang expression whose most common meanings are: "the same to you," "don't mess with this," and "forbidden to touch. [10] It was Casas' first encounter with discrimination. Karlstrom, Paul (1996). On Artfinder you can find oil paintings for sale, acrylic paintings, as well as watercolour and mixed media paintings. PAUL KARLSTROM: Archives of American Art, Smithsonian Institution, an interview with artist Mel Casas at his casa in San Antonio, Texas. Share. Mel Casas: Artist as Cultural Adjuster is a new book by Nancy Kelker that showcases the work of American Pop and Chicano Artist Mel Casas. Kathy gives credit to Casas for opening her eyes and sharing many Chicano and Chicana artists with her. Austin: University of Texas, 1973. p. 83, The 153 paintings that make up the "Humanscape" series were inspired by a "glimpse of a drive-in movie screen. With the history of art as its foundation, Kelker took several steps to correlate Casas’ body of works to America’s social history, popular … PAUL KARLSTROM: Archives of American Art, Smithsonian Institution, an interview with artist Mel Casas at his casa in San Antonio, Texas. Con Safo: The Chicano Art Group and the Politics of South Texas. [9] Casas felt that once artists had a fair chance to exhibit in the United States, then they would become part of "Americana. [21], Casas often paid a price for his trenchant social criticism. Mar 24, 2013 - This Pin was discovered by Sherry Willome. Casas’ practice was rooted in the Chicano ethos of social justice, bridging the cultural, political, and economic divides that define the borderlands. So there is no sense in trying to say that we have that kind of purity. He used clever word play mixed with imagery. His signature “Humanscape” paintings were designed as "impact pieces" intended to challenge the viewer into a reconsideration of the cultural myths and social stereotypes so … San Antonio-based artist Mel Casas died on November 30, 2014 after a two-year battle with cancer. Gallery Talk: Mel Casas: The Man Thursday, September 27, 2018 - 6:00 PM - 6:30 PM Dr. Ruben Cordova, renowned Chicano scholar, discusses work by late San Antonio-based artist Mel Casas, who is best known for his pointed visual statements that explore identity and the bicultural experience. Los Angeles: UCLA Chicano Studies Research Center Press. Discover (and save!) Mel Casas Family Trust. [10] Casas felt that he had a good education in elementary school and junior high. Mel Casas papers, 1963-1998 This site provides access to the papers of Mel Casas in the Archives of American Art that were digitized in 2020, and total 1,030 images. and the author of Mel Casas: Artist as Cultural Adjuster . Smithsonian Institution. We cannot deny it. "Melesio Casas was born in El Paso, Texas, in 1929. [12][13], Casas received an all-level certificate to teach in Texas. "Mel Casas: Border Lord." 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